Verity Lambert & Dennis Spooner (1964)

This is a fairly light 1964 piece promoting the return of the Daleks in ‘The Dalek Invasion of Earth’, episode one of which had just been broadcast. Nevertheless, there are relatively few interviews with Verity Lambert and Dennis Spooner, so even a small piece holds some interest. Scans coming soon(ish).

From the Daily Mail:

Shorty after 5.40 this evening a week of almost unbearable tension will come to an end.

At that time, the BBC adventure serial ‘Doctor Who’ comes on the air. And as some ten million viewers can tell you, the dreaded Daleks are back and about to reveal their future plans.

At the end of last week’s episode, a single specimen of this radioactive race of what appear to be malevolent pepper-pots rose from the Thames and waved its antenna at the terror-stricken audience. Then the credit titles rolled.

At once a howl of anguish went up all over Britain and the BBC switchboard was jammed with 400 calls. Angry viewers protested that the Dalek’s appearance was far too brief: that children who had waited months for another sign of the monsters were weeping and refusing to go to bed.

And not only children, for ‘Doctor Who’s massive audience includes millions of adults.

The operation of the Daleks – they were killed off earlier this year but brought back by public demand – is conducted by a remarkably attractive young woman called Verity Lambert who, at 28, is not only the youngest but the only female drama producer in BBC TV.

She arrived at the Corporation via Roedean, the Sorbonne University and a spell in New York as personal assistant to David Susskind, the producer and commentator who is one of the top figures in American TV.

‘Doctor Who’ was her first producing assignment a year ago, and with this background she has insisted on a high standard of professionalism for the serial.

“I have strong views on the level of intelligence we should be aiming at,” she told me briskly. “‘Doctor Who’ goes out at a time when there is a large child audience but it is intended more as a story for the whole family.

“And anyway children today are very sophisticated and I don’t allow scripts which seem to talk down to them.”

Nine well-established script-writers have contributed to ‘Doctor Who’ in the past twelve months and they are closely briefed on the requirements of the Doctor and his invaluable machine.

Story editor Dennis Spooner, who has written many episodes himself, told me “writers have to be divided into those who can cope with trips back into the past and those who can write adventures set in the future. Very few can do both.

“The futuristic stories ought to be easier because the scope is endless but we have to set some limits to remain mildly plausible and we have found that many writers are completely lost with science fiction.”

While the programme is running – and it has had only one six-week spell off the air – the cast start rehearsing each week’s episode every Monday morning in an outside rehearsal room and remain hard at it until the following Friday.

On Friday mornings they move into the studios at the Television Centre or the BBC’s riverside studios at Hammersmith and from 10.30am rehearse with cameras and the full, impressive range of props that appear in ‘Doctor Who’.

From 8.30 in the evening the programme is recorded and the cast are permitted the weekend off before starting all over again on the following Monday morning.

Pre-recording has allowed the regulars in the series a five-week holiday which is just ending.

When they return on Monday – with the exception of Carole Ann Ford, whose place in the team is being taken by a newcomer called Maureen O’Brien – they will start working non-stop for 26 weeks on programmes that will be shown in the New Year.

These ugly anti-social fugitives from an overgrown cruet may well have met their match in Miss Lambert.

Tall, dark and shapely, she became positively forbidding when I suggested that the Daleks might one day take over ‘Doctor Who’.

“I feel in no way obligated to bring them back for a third time even if this present story is a tremendous success,” she said with a noticeable chill.

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